Yahari Ore no Seishun Love Comedy wa Machigatteiru.My Youth Romantic Comedy Is Wrong, As I Expected Edit What would you like to edit? SynopsisBackgroundAlternative TitlesPictureChapters/VolumesPublishing DatesRelationsTypeExternal Links   1p6034

Dedicated to those who yarn for something geniune

As a ionate reader, I am thrilled to share my transformative experience with the novel "My Teen Romantic Comedy SNAFU." This literary gem stands apart from the crowd, offering a unique and thought-provoking perspective that distinguishes it from typical market offerings. The narrative unfolds through the lens of Hikigaya Hachiman, a self-proclaimed loner who navigates high school with a determined effort to keep his distance from society. His solitude is not just a result of his personality; it's a defense mechanism forged from past rejections and childhood trauma. The author masterfully weaves these elements into the fabric of ... Hikigaya's character, creating a protagonist whose journey is both relatable and compelling.

The catalyst for change in Hikigaya's life comes in the form of Miss Hiratsuka, a Japanese teacher and career counselor who disrupts his silent existence by coercing him into ing the Service Club. Introduced to Yukino Yukinoshita, the enigmatic "Ace Ice Beauty" of the school, Hikigaya's life takes a drastic turn. Yukinoshita, with her seemingly flawless exterior, harbors a defective personality that resonates with Hikigaya but challenges his understanding of right and wrong. The introduction of Yui Yuigahama, an initially naive yet endearing character, adds depth to the novel. Her iration for Yukinoshita influences her character development, creating a dynamic interplay that adds layers to the storyline. The Tennis Court Finale incident and the theatrics involving a particular friend of Hikigaya serve as pivotal moments in this volume, propelling the narrative forward and setting the stage for future developments. One of the novel's standout features is the use of monologues. Presented in the first person from Hikigaya's viewpoint, these introspective moments provide readers with a window into the protagonist's mind, enriching the storytelling experience.

What sets "My Teen Romantic Comedy SNAFU" apart is its commitment to portraying reality in a world inundated with fantasy. Unlike popular series like SAO, Accel World, or Danmachi, this novel delves into the overlooked aspects of life from a loner's perspective. It resonates with the universal experience of loneliness, delivering a powerful message: never give up. This series is not only entertaining but also emotionally resonant, seamlessly blending humor with poignant moments. It establishes a solid foundation for future installments, making it a must-read for those seeking a fresh and different perspective on life. As I conclude, I assert that this series possesses immense potential, with the novel standing out for its detailed exploration of Hikigaya's thoughts. While the anime offers a visual feast, delving into the novel enriches the experience, providing a nuanced understanding of the protagonist's inner workings. Whether you choose to watch the anime first or dive into the novel, "My Teen Romantic Comedy SNAFU" promises a captivating journey that is both enlightening and enjoyable. Don't miss the chance to immerse yourself in this distinctive narrative.

I liked this book for the most part, i watched the anime a couple years back so the story was somewhat fresh and it was pretty good until about volume 8/9 where i felt like the story was

dragging on and it started to bore me quite a bit. I had to basically force my self to finish those last couple volume and by the end of violence 14 I was damn near cursing out the author overall I’ll give it 1 7/10 the anime Is better, please just watch the anime unless you have the extra time then go crazy. Others would like this ... story

>You're asking me will my love grow. I don't know, I don't know.
You stick around now, it may show. I don't know, I don't know...

I'd tried to find something similar to this work, from the musical lyrics to the peers Haruhi Suzumiya and Koten-bu Series, but nothing truly fitted the frame. Then I ed I had watched How I Met Your Mother, and even though its ending was justifiable, the audiences' reception would change after that amount of time spent with the series. Still different is the case of Yahari Ore no Seishun Love Come wa Machigatteiru.


__Characters__

Let's be frank. Oregairu is character-driven, so talking about ... them will automatically do the work here. Warning: What following has the potential of upsetting the fanbase, so be ready.

__Yukino Yukinoshita__ is the front of the work. Any discussions of the work will eventually lead to her. Despite the attention she received, the character is the biggest failure. She had wished to change, yet Yukinoshita was the one showing the least effort, if ever existed. If she had genuinely wanted to do so, here could be some suggestions. I think Yukinoshita the Elder already spoke of something similar to 'codependency', and what should have been her answer is 'Why don't you sit back and enjoy the flow, Nee-san? I will prove this codependency of yours, and just wait for his dance in my palm.' That's how to shut Haruno Yukinoshita up. She had had a tongue, a very sharp one, but why did she need to behave like a cat eventually? Against the mother, well, let her be the plan maker instead of Hikigaya, suck him dry and recharge him with the word 'I love you', because it was already the end and why there was still no sign of Yukinoshita's Revolution, let alone the opportunity of freeing herself from the shackles of Hikigaya's solo performance so far at the gist 8th volume, which would have built up the much better momentum towards the end? If those things had been done, other ships would have been effortlessly sunken. However, I don't hold any particular hatred towards the character. Her state is what the author wanted to preserve, and her annoying constancy spoke the unshakable will of his. So congratulation on him getting the waifu. Yuki is always a good example of overcoming dependent tendency, and it is my pleasure to say the full name, Yuki Souma.

__Hachiman Hikigaya__ is the protagonist of this novel. Past experiences had left such bitter taste that he considered kindness was the cruelest thing. It got him resolving the least imaginable logic, which consequently made him self-explode many times during the journey. However, what he sought for was something genuine, and if it weren't to prove after bending, twisting, shashing, then there shouldn't any belief laid in it at all. If the character had always been himself, then it would be fine, but actually, it wasn't. He had desired for something genuine, yet proceeded kicking the balls to others and remained ive for the entire Yukino Yukinoshita's True End (Shin involved). Investigating further, there was no Hachiman Hikigaya in the first place. IT HAD BEEN THE AUTHOR ALL THE TIME. WAKE UP, JAPAN. ~~Wataru Watari~~He never considered getting out of his cocoon, so the character is so bloody relatable and realistic. Also, if you dream, dream of winning, being a proper individual. Don't be a loser just to get the girl, but in such case, it would no longer be the good old insertable Hachiman Hikigaya, wouldn't it?

So far only boring characters? There are also the interesting:

__Yui Yuigahama__ was seemingly a character academically disadvantageous, big boobs, TOTALLY UNATTRACTIVE... but when it came to common sense, she was such a clever person. She knew and understood everything, so most of the time she was playing the role of an observer. However, when Yuigahama was on stage, she shone brilliantly. The character possessed things the other clubmates didn't, so in the darkest hours, she was the one keep everything binding together. She was always the first one taking a step forward, leading the story out of the stagnancy with her 'I want everything', which is my greatest impression of the work, from the portrayal of the surrounding to every expression of the characters. Eventually, her influence sured that of the narrator, and I used to think of which season would be ed every time taking a whiff of that smell, tea or fruit tart, because I firmly believed the bakery product would be much better to become a straight-forward person, or gain weight.

The ing characters were also prominent. __Shizuka Hiratsuka__ deserves the title of a (lonely) mentor. __Haruno Yukinoshita__, as well as her childhood friend __Hayato Hayama__, were loners full of conflicts and regrets. __Iroha Isshiki__ also found herself solitary. The author had gathered many kinds of lonely souls in his work, and the way they struggled finding a solution was so human, but certainly it is not that realistic. On the other hand, __Saika Totsuka__ had initially appeared forgettable, but turned out he was the first to graduate within the series. After the revaluation, I believe these characters, along with Yui Yuigahama, were the motivation for me to pursue the end. Nevertheless, there is still this unshakable sensation that many of them were the devices buying time whilst Wataru Watari making the decision that should have been thrown out 5 volumes earlier.


__Something other than the characters__

References are just fillers. I never paid any mind to them, not to mention they mostly missed.

The illustration really grew with the course of actions, even though the quality was inconsistent at times.


__Conclusion:__ Honestly, I've never been onto the Shi* War, as all necessity would be for the characters to grow naturally. Nevertheless, Yukino Yukinoshita's True End offered no such thing. It had been fun, until it no longer was.

>Away, I'd rather sail away, like a swan that's here and gone.
A man gets tied up to the ground, he gives the world its saddest sound, its saddest sound.

Certainly, reality wasn't that kind regarding to what had happened so far.